“No” is the fourth film of the 36-year-old Chilean director Pablo Larraín, and the third in his series of films about the era of Dictator Augusto Pinochet. Larrain was born in the early years of the Pinochet era to a more prosperous environment, his parents are politicians – his father was a senator “from the right wing,” as Larraín says himself. Therefore, if he does not draw for his “Pinochet Movies” from autobiographical information, then here he succeeds even more: to make a national community memory visible.

80-s-retro aesthetic

The young advertising upstart Rene Saavedra (Gael Garcia Bernal) had taken over, really just to show the PR strategy for the list of “No” to his advertising agency boss (a “yes”-men) that he can do better. Larraín traces the campaign, with promotional pieces that occupy a third of the film.Pinochet’s supporters and the opposition had to apply per day 15 minutes to their campaign on the national TV channel. He sold the principle of freedom exactly as if he would want to bring soft drinks to the people: with a rainbow and people laughing, dancing on the streets. Who would not want this life? Of course Saveedra advocated here as a fairy tale, like all propaganda is one, but Saveedra outperformed its opponent in an act of mimetic overfitting yet. The message, which he applied, was in essence different.

Nicole Kidmanas Charlene Wittstock

The Hollywood star Nicole Kidman (45) will be seen as Charlene Wittstock in U.S. theatres later this year. The Weinstein Company film studio wants the film “Grace of Monaco”to be in theatres in December. The start date is important because the film then goes into the race for the next Oscars.

Producer Harvey Weinstein said aloud release: “More than 30 years after her death, the story of Grace Kelly is a story of not to be surpassed fascination.” Kidman was a perfect portrait of a woman created, which is not only been royal, but also a legend the screen and a fashion icon.

Strong “Iron Man 3″ shows the iron man without armour

Iron Man without a suit – hardly imaginable. However, in “Iron Man 3″ Robert Downey Jr. aka Tony Stark must always give back to his protective armour shell. He does well and makes clear that technology is not everything. In addition, even a superhero is deep in the heart only human. The film runs from 1 May at the cinema.

Munich. Iron Man is back. However, over long distances without his superhero suit. In the third part of the film adaptation of the comics from the Marvel universe, the inventor Tony Stark must always reflect back on his human powers because the technology fails. His opponent, the mysterious Mandarin holds the world in style with Islamist terrorist attacks. Furious and visually stunning “Iron Man 3″ describes the fight the opponents in 3-D. Director Shane Black has created a fantastic superhero spectacle with an exciting story, peppered with sophisticated technology gadgets and a finely metered humour.

Robert Downey Jr. is Tony Stark aka Iron Man – the perfect blend of callousness, masculinity and self-irony, coupled with an almost childlike joy in technology. He is Don Cheadle as Rhodey his faithful friend, who may cruise through the skies in superhero suit to save the U.S. president again.

Pleasantly enough, Iron Man is not only the aloof hero who fought for world peace but many more.

Justin Timberlake and Mila Kunis are ‘Friends with Benefits’

This time, Justin Timberlake and Mila Kuniswere caught in the battle of the sexes. The film “Friends with Benefits” is surprisingly funny.The story is predictable. The new Hollywood romance “Friends with Benefits” offers two hours entertaining cinema. Pop star Justin Timberlake (“The Social Network”) and Mila Kunis (“Black Swan”) bring their relationship so much pace, wit and repartee to the canvas that it literally crackles in the cinema.

It comes to plenty of sex and postcard views of New York and Los Angeles.”We not only wanted to make a romantic comedy,” Timberlake said in a flying visit to Berlin. “It’s also about generational issues – the things that really happen one in life, when you get to a certain age.”The 30-year-old Beau plays in the movie the successful Dylan from Los Angeles and the young recruiter Jamie (Mila Kunis) is brought in as chief of a glossy magazine to New York.

Producer associations call an “emergency program” for the film industry. The domestic film industry turns to a cry for help to the government, they “to free themselves from the captivity of ORF”. The film producer associations film Austria, AAFP, and the Association of the film and music industry are afraid that the ORF will save their biggest customer. It comes to the impending austerity measures implemented in the production volume of the TV and movie production.

The industry fears a fall of up to 30 percent of the production volume.”The ORF sees its public service broadcasting mandate as a contingent liability,” says Danny Krausz, film producer and chairperson of the Association of the film and music industry. “The successful Austrian film industry is seen in this misguided policy only as collateral damage.”

“Brown Beat” director David Schalko remembers the ORF at its core purpose: “The ORF is the most important cultural institution in this country ORF belongs to us all and we want to see quality Austrian program there.“

Austro-share by law

Haneke, producer and film-Austria-President VeitHeiduschka: “Only a legally binding in any case 20-percent share of fee income for Austrian program content, the film industry from the hostage rescue”, Heiduschka is confident and speaks of an urgently required “emergency program to rescue the Austrian television and movie industry.”

Specifically ask the representatives of the film industry for the detailed codification program in the Austrian ORF Act, and that during this legislative period. Otherwise, threaten a “clear-cutting” for the Film Location Austria.

Movie Magazine: “Friends with Benefits”

As modern urban people both have, several failed relationships behind her, afraid of new injuries and just want still have fun. You decide to start a purely physical relationship sex – yes, but please, take it easy. As posed, everyone can imagine. However, along the way brings director Bill Gluck (“Easy A”) to the audience a fireworks most bizarre situations and comedy deposits its protagonist.

“The chemistry is incredible, “says the filmmaker. The chemistry was so much that the attractive duo had to defend himself against rumours whether having an affair in real life. They are “like brother and sister,” Kunis says.